The Inclusiveness Of The Place Dimension - 1587 Words

3.4. Discussion (the inclusiveness of the Place dimension): A tension has always existed in architectural theories between art, social, and rational notions. The inception of the Bauhaus based mainly on the notion of unifying all the aspects of art under the wing of architecture. This art-driven perspective derived architectural practice to the creation of the international style. Modernism was founded on the unity, the whole, and the progress of humanity, as in Marxism. This was done regardless of the sensibility of social and environmental needs on the local scale. It lost any continuation with the existing social and constructed values. Socially and contextually correspondent architecture were the main driving forces behind the revolute architectural theories that substituted modernism. Art always persists along architectural movements, either as the main driving force or as a guaranteed consequent that is achieved in the background, as is the case for the rational perspective. In the foreground or the background, it comes with different f lavors that is affected with or affects the principles of these theories. This existential property of art can be deducted by reviewing the aforementioned architectural theories. The different relations between the art, social, and rational motives would be comprehended better after discovering more urban dimensions by the end of the coming chapter. The aforementioned different types of places exhausted a fair amount of known placeShow MoreRelatedA Brief Note On Bc Hydro s Diversity And Inclusiveness Strategy1245 Words   |  5 PagesDiversity Initiatives The foremost step of BC Hydro was all about developing a strategy to advance the workplace diversity and inclusiveness based on leading research. 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